Cantonment to Silicon Valley: Cinematic Traces of Colonial Bangalore in Indian and British Films

Main Article Content

Vasantha S.

Abstract

The transformation of Bangalore from a native town (Pete) to a Cantonment and eventually to a cosmopolitan city is truly remarkable. At each stage of this evolution, the city has assumed new forms, identities, and energies across economic, political, social, and cultural spheres. This dynamic progression is vividly captured in cinema, which provides visual documentation of Bangalore’s dramatic development. As a powerful medium of mass communication, cinema conveys messages to audiences in compelling ways. Film content often reflects social practices and their impact on people, showcasing diverse facets of society that offer valuable insights into colonial residues and postcolonial reforms. Both disparities and delusions are highlighted through the lenses of colonial and postcolonial perspectives. 

Article Details

Section

Research Articles

Author Biography

Vasantha S.

Associate Professor, Department of English, Government First Grade College, Kadugodi, Bangalore. 

How to Cite

Vasantha S. (2025). Cantonment to Silicon Valley: Cinematic Traces of Colonial Bangalore in Indian and British Films. ಅಕ್ಷರಸೂರ್ಯ (AKSHARASURYA), 11(02), 70 to 76. https://aksharasurya.com/index.php/latest/article/view/1874

References

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The Planter’s Wife. Directed by Ken Annakin, Rank Organisation, 1952.

The Rains Came. Directed by Clarence Brown, 20th Century Fox, 1939.

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