Exploring the Theatrical Legacy of Adya Rangacharya: A Comprehensive Overview
Article Sidebar
Main Article Content
Abstract
Adya Rangacharya, known by his pen name Sriranga, was a seminal figure in Kannada theatre whose works span across full-length dramas, one-act plays, novels, and critical essays. His journey from village aatas to the heights of professional theatre reflects his profound influence on the cultural and artistic landscape of Karnataka. This article explores Sriranga’s contributions to Kannada theatre, emphasizing his innovative approach to dramaturgy, his integration of traditional and modern elements, and his lasting legacy in the performing arts.
Article Details
Issue
Section
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
How to Cite
References
N.K Kulkarni,2007, Sriranga-A monograph in Kannada, Sahitya Akademi, New Delhi.
K V Akshara, 2010, Rangaprapancha,Akshara Prakashana Heggodu.
Prof.G.S Amur, 1998, Virata Purusha, Priyadarshini Prakashana, Bangalore.
K.arulasiddappa, 2013, Adhunika Kannada Nataka, Sapna Book House, Bangalore.
Rajeshwari Maheshwaraiah & Dr.Shivanand Kelaginamani, 2008, Sriranga Taranga, Prasaranga Karnataka University, Dharwad.
S.Malathi, 2010, Hosadikku, Lohiya Prakashana, Bellary.
Akshara K V, B R Venkataramana Aithala And Deepa Ganesh, 2018, Kannada Theatre History 1850-1950 : A sourcebook, Manipal Universal Press, Manipal.
Kolachelam Sreenivasa Rao, 2011, The Dramatic History of The World, Karnataka Nataka Academy, Bangalore.
Nemichandra Jain,2012, Indian Theatre, National School of Drama, New Delhi.
Adya Rangacharya, 2015, Saahitiya AAtmajignaase, Kannada sahitya Parishattu, Bangaluru.
Rangacharya, Adya. Nanna Natya Nenapagalu ,Deshpande, Shashi, translator. “Sriranga From My Memories of the Theatre.” Guftugu, 2016,
https://guftugu.in/2016/02/23/sriranga/.
Madur. “Adya Rangacharya – An Eminent Theatre Personality.” Karnataka.com, November 4, 2011.