Global Communication and Identity in Midnight’s Children

Main Article Content

Ruksana M. Mujawar

Abstract

This paper examines the relationship between global communication and identity formation in Midnight’s Children by Salman Rushdie. The novel presents postcolonial India as a space where language, history, and personal identity intersect with global influences. Through the protagonist Saleem Sinai, Rushdie explores how English functions as a medium of global communication while simultaneously shaping fragmented identities. The study argues that the novel reflects the complexities of postcolonial identity in a globalized world, where communication transcends national boundaries but creates tensions between tradition and modernity. 

Article Details

Section

Research Articles

Author Biography

Ruksana M. Mujawar

Teaching Assistant, Department of English, BLDEA’s Basaveshwar Arts and Commerce College, Basavan Bagewadi.

How to Cite

Ruksana M. Mujawar. (2026). Global Communication and Identity in Midnight’s Children . ಅಕ್ಷರಸೂರ್ಯ (AKSHARASURYA), 15(02), 122 to 125. https://aksharasurya.com/index.php/latest/article/view/2006

References

Appadurai, A. (1996). Modernity at large: Cultural dimensions of globalization. University of Minnesota Press.

Bhabha, H. K. (1994). The location of culture. Routledge.

Hall, S. (1990). Cultural identity and diaspora. In J. Rutherford (Ed.), Identity: Community, culture, difference (pp. 222–237). Lawrence & Wishart.

Rushdie, S. (1981). Midnight’s children. Jonathan Cape.