Bidri Art And the Harmony of Cultures: An Indo-Islamic Synthesis

Main Article Content

Anitha Patil T.H.

Abstract

Bidri Art, though of Persian origin, is a unique Indo-Islamic synthesis and purely an Indian innovation, flourishing under the Bahamani and Baridi dynasties, particularly in Bidar. Its history traces back to the 15th century when Sultan Allauddin-II patronized Bidri workers from Bijapur, including the first Indian artisan, Shivanna. The art form, named 'Bidriware' by the Sultan, involves casting an alloy (primarily zinc and copper) followed by intricate silver and gold inlay work. The specialized blackening process, utilizing a mixture of local fort clay, is distinctive. Bidriware represents a harmonious blend of Hindu and Muslim craftsmanship, with artisans contributing diverse motifs—from Hindu figures to Persian flowers and geometric patterns. Though once widespread, the craft is now facing extinction and requires urgent support.

Article Details

Section

Research Articles

Author Biography

Anitha Patil T.H.

Associate Professor, Department of History, GFGC, Yelahanka, Bangalore.

How to Cite

Anitha Patil T.H. (2025). Bidri Art And the Harmony of Cultures: An Indo-Islamic Synthesis. ಅಕ್ಷರಸೂರ್ಯ (AKSHARASURYA), 10(02), 162 to 165. https://aksharasurya.com/index.php/latest/article/view/1757

References

Bidriware, Krishnalal, National Museum, New Delhi, 1950.

Bidri Chitrakale, Dr. V.M. Bhagayat, 2004.