Folk and Tribal Art of India

Main Article Content

Usha Rani G.

Abstract

India’s folk and tribal art represents a vibrant confluence of culture, tradition, and community life. Rooted in rural and indigenous societies, these art forms serve as powerful vehicles of storytelling, spiritual expression, and socio-cultural identity. Unlike classical art with its codified rules, folk and tribal art is spontaneous, deeply symbolic, and passed down through generations via oral traditions and communal practices. This paper explores the origins, characteristics, regional diversity, and cultural significance of prominent Indian folk and tribal art forms, including Madhubani, Warli, Gond, Pattachitra, Bhil, and Kalighat paintings. It further analyses the symbolism embedded within these artworks and highlights the challenges faced due to modernization, commercialization, and lack of institutional support. By examining current efforts for preservation and the growing global interest in these traditional forms, the study underscores their contemporary relevance. Ultimately, the paper argues for the need to recognize and sustain these living traditions as essential carriers of India’s intangible cultural heritage.

Article Details

Section

Research Articles

Author Biography

Usha Rani G.

Assistant Professor, SVR First Grade College, HSR Layout, Bangalore.

 

References

Varadpande M.L., (1991), Folk and tribal arts of India, Abhinav Publications, Rajasthan.

Yashodhara Dalmia, (1988), The Painted world of the Warli, Lalit Kala Akademi, New Delhi.