The Economics of Neglect: Racial Capitalism in Colson Whitehead’s Crook Manifesto
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Abstract
Colson Whitehead’s Crook Manifesto (2023) presents a textured portrait of 1971 New York City, serving as a literary critique of racial capitalism. By integrating Cedric Robinson’s concept of the Black Radical Tradition, Jodi Melamed’s analysis of postwar liberalism, and Walter Johnson’s history of slavery, the narrative exposes the inextricable link between economic exploitation and racial violence. The novel depicts Harlem’s systemic neglect and militarized policing not as anomalies, but as continuations of imperialist and slave-holding legacies. Ultimately, Whitehead’s work challenges myths of progress, demonstrating how modern urban crises are rooted in the historical structures of a racialized global economy.
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References
Johnson, W. (2013). River of Dark Dreams: Slavery and Empire in the Cotton Kingdom. Belknap Press/Harvard University Press.
Kelley, R. D. G. (2017, January 12). What Did Cedric Robinson Mean by Racial Capitalism? Boston Review.
Melamed, J. (2011). Represent and Destroy: Rationalizing Violence in the New Racial Capitalism. University of Minnesota Press.
Robinson, C. J. (1983). Black Marxism: The Making of the Black Radical Tradition. University of North Carolina Press.
Welch, M. (2023, July 27). A Portrait of Transformation in “Crook Manifesto”. Chicago Review of Books. Retrieved from https://chireviewofbooks.com/2023/07/27/a-portrait-of-transformation-in-crook-manifesto/
Whitehead, C. (2023). Crook Manifesto: A Novel. Doubleday.